Don’t cut funding for research on Cultural Heritage in HORIZON 2020

http://www.ipetitions.com/petition/horizon-2020-cultural-heritage-research/

The Petition

We the undersigned, who include scientists and professionals, institutions and stakeholders acting in the field of cultural heritage support this petition initiated by European Confederation of Conservator-Restorers Organisations E.C.C.O., to have the European Council and the European Parliament reconsider the terms of reference in HORIZON 2020, the 8th European Framework Programme for Research in respect of cultural heritage.

In the proposed 8th European Framework Programme for Research there is no specific research programme connected to the field of cultural heritage. This is not only detrimental to all who work in this sector but undermines the major role cultural heritage plays in the overall economy of the EU.

Within the European Framework Programmes, cultural heritage has been addressed in numerous programmes (EESD, IST, CRAFT, Policies, INCO-MED, etc.), and most recently in FP5 and FP6. Within the FP7 (2007-2013), cultural heritage has also been given priority status by the EU Commission in themes such as “Environment”, “Nanomaterials”, “Processes and ICT”, “Information and Communication Technologies” or “Socio-Economic Sciences and the Humanities”.

Cultural heritage research and preservation is carried out at national, European and international level and includes many disciplines and methodologies. It ranges from the analysis of the role and influence of cultural heritage in our lives; the socio-economic and policy aspects of cultural heritage to technical developments and interventions in movable, immovable heritage and archaeology and even to the management of digital aspects of cultural heritage knowledge.

Crucially, the Framework Programmes for Research have provided unique opportunities for coordinating and linking professional knowledge in different countries with the search for solutions to urgent common questions. They have enabled Europeans to shed light on the economic importance of their European heritage informed by new research results. This has also directly arisen from the commitment to the training of professionals in the conservation and restoration of this cultural heritage which has successfully been copied across nations.

This year we look back on 26 years successful research in the field of conservation and restoration of cultural heritage. So far, European programmes have contributed an overall investment of40 Million Euro to 41 international projects which have had far reaching consequences for the continued viability of the cultural context in which we live. Among them were large-scale research and application projects which research partners have developed – and still are in the process of developing – joint strategies for the long-term conservation of historic sites; presenting specific solutions for museums such as risk factors associated with display and exhibition in museums, mass deacidification of paper and other principal problems of conservation.

All this must not end with the termination of the 7th framework programme (2007 – 2013). Even now the loss of cultural resources amounts to 14 Billion Euro every year with climate change becoming a major factor in the threat to cultural heritage. On- going and accelerating deterioration must be met by responsive and informed conservation strategies for the future.
The imperative to manage, protect and research this often finite resource speaks to social and economic values that make Europe what it is and contributes to its unique identity.
This imperative needs to be supported with clear policies at European level, up to date technologies and dedicated research which can only be done successfully if cultural heritage is clearly prioritised in the allocation of funds. Therefore we urgently need the field of cultural heritage to be recognized as a requisite of sustainable economic growth and development in Europe through funding mechanisms clearly stipulated in the 8th framework program of research HORIZON 2020 running from 2014 until 2020.

http://www.ipetitions.com/petition/horizon-2020-cultural-heritage-research/

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Andrew W. Mellon Residency in Conservation Education at Buffalo State (deadline: 30 March 2012)

The Art Conservation Department at Buffalo State College seeks conservators to fill a new two-year teaching residency.

The residency is funded by the Andrew W. Mellon Foundation and offers exceptional professional development opportunities for future conservation educators. Successful candidates should demonstrate a strong interest in teaching and excellent communication skills. At least five years of work experience in conservation is preferred.

Conservation specialization in the areas of objects including wooden artifacts, archaeological, and ethnographic materials will be preferred followed by modern/contemporary art and paintings.

The responsibilities include:
•    Working closely with faculty mentor(s) to develop materials and skills for teaching and research projects.
•    Teaching graduate conservation core curriculum courses, electives and seminars in the candidate’s specialization.
•    Offering selected lectures (during the first year) and two to four-week teaching activities (during the second year) at partnering conservation programs.
•    Organizing (jointly with counterpart resident) the professional activities of the April 2013 and 2014 Association of North American Graduate Programs in Conservation (ANAGPIC) meetings in Los Angeles and Buffalo. The residents would participate in developing the professional themes focusing on particular conservation education challenges.
•    Participation in a seminar at Buffalo State College on Philosophy and history of education, Curriculum development and pedagogy teaching techniques
•    Participation in department research and/or program development for summer 2013 & 2014

The residency dates: start in August 2012 through August 29, 2014

The residency will provide a stipend of $55,000 and full benefits. Support for travel to select conferences and to the partnering conservation program will also be provided. Buffalo State College is an Equal Opportunity/Affirmative Action employers.

Applications due by 5pm March 30 2012, and should include a letter of interest in the position, curriculum vitae, and three letters of recommendation.

Submit applications and questions to: Meredeth Lavelle – LAVELLMA@BuffaloState.edu and in the subject line state: Conservation teaching residency at Buffalo State application

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Assistant Professor of Conservation Imaging, Technical Examination and Documentation (open until filled)

Assistant Professor of Conservation Imaging, Technical Examination and Documentation

Applications are invited for the tenure track faculty position of Assistant Professor of Conservation Imaging, Technical Examination and Documentation contingent upon funding.

Responsibilities: The successful candidate will teach the department’s lecture and laboratory courses in methods of conservation imaging, technical examination of art and artifacts and in graphic documentation techniques applied to conservation practice and research. Primary topics include: visible-light examination methods; photographic principles; digital imaging concepts; studio and scientific photography; examination and imaging methods involving ultraviolet, infrared, and x-ray radiation; multi and hyper spectral techniques; 3D imaging; and professional presentation techniques. The appointee will provide mentoring and guidance to students in mastering and applying imaging modalities and graphic documentation in their work. The appointee will actively engage in the development of the newly expanded imaging/examination/documentation suite and be responsible for maintaining and upgrading the imaging and photographic studios and laboratories. The appointee will revise and develop existing courses in response to developments in examination and documentation methodologies in the field, and contribute to these developments through scholarly and creative activities. The appointee will also take an active role in the life of the department, such as serving on department and college committees, and participating in department and college events. Appointment is contingent on budget availability.

Required Qualifications: Hold a terminal degree in art conservation or a related scientific discipline; possess experience in conservation examination methods and photographic documentation techniques involving visible and non-visible radiation; demonstrate proficiency in professional digital imaging and processing as applied to the documentation of cultural materials.

Preferred Qualifications: Evidence of ability, interest in and commitment to teaching at the master’s level; experience with x-radiography; familiarity with new developments in imaging technologies; involvement in the professional conservation community as demonstrated by publications, conference presentations, workshop participation, and other evidence of scholarly and creative activity; evidence of ability to work cooperatively and collegially within an interdisciplinary work environment; one or more years of postgraduate conservation experience; knowledge and experience with historical photographic techniques.

Application: Review of applications will begin immediately and will continue until the position is filled; the position will begin in August 2012. Interested applicants are requested to apply online at https://jobs.buffalostate.edu.
The application must include a letter of interest, curriculum vitae, contact information for three professional  references, and several recent illustrated publications and/or reports evidencing experience in a variety of technical examination methods and related photographic and imaging techniques applied to conservation treatment and/or research.
Buffalo State is the largest four-year comprehensive college in the State University of New York (SUNY) system. The campus is located in the museum district of Buffalo, the second-largest city in New York State. The area offers a variety of cultural and recreational activities. The department offers an internationally recognized three-year program of graduate instruction leading to the Master of Arts Degree and Certificate of Advanced Study (MA & CAS) in Art Conservation. The position provides a unique opportunity to be part of a dynamic group of dedicated and distinguished educators, who are also respected practitioners in the field.  For more information about the college and the department, visit www.buffalostate.edu and www.buffalostate.edu/depts/artconservation/.

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Cathleen A. Baker Fellowship in Conservation 2012–2013 (deadline: 31 Jan 2012)

The fellowship provides financial support for conservators at various levels in their careers to enable them to spend time in the University of Michigan Library’s Conservation Lab to increase their knowledge about the conservation of paper-based collections. Projects that center on the conservation of related non-paper materials, such as papyrus or parchment/vellum, will also be considered. While most fellows will work with U-M Library conservators to increase their own knowledge and skills, a fellow may also join the lab primarily to pass on her/his expertise to the U-M conservators. Building and sharing knowledge are the primary goals of this fellowship.

Deadline: 31 January 2012

For further information please visit: http://www.lib.umich.edu/cathleen-baker-fellowship-conservation

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Issue nr. 22 is online!

We are pleased to announce that issue no. 22 of e-conservation magazine is now online and available to read and download from our website. We hope you will enjoy the reading!

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New book: FUTURE TALKS 009

FUTURE TALKS 009
The Conservation of Modern Materials in Applied Arts and Design

Edited by Tim Bechthold

Proceedings from the first FUTURE TALKS conference, organised by the Conservation Department of Die Neue Sammlung. The International Design Museum Munich, October 22-23, 2009.
With 27 conference papers this volume highlights current scientific research. It presents a comprehensive compilation of innovative practical conservation treatments of degraded plastics worldwide, including continuative informations on materials and authors.
Contributions among others by Thea van Oosten, Yvonne Sahashoua, Friederike Waentig and museums such as MOMA NY, The International Design Museum Munich, SF MOMA, V&A London, Triennale Design Museum Milan and many more (see below).

Contents:
Collecting Plastics
Identification of plastics
Cleaning and consolidation of plastics

Tim Bechthold is Head of Conservation at Die Neue Sammlung. The International Design Museum Munich.
In 2002 he set up the Conservation Department. Since that time there is a strong focus on the conservation of degraded modern materials. Through the research into the deterioration and preservation of the collections, the development of new conservation processes and the knowledge of original technology, the Conservation Department has become an important hub for the conservation and the maintenance of modern design objects. It also plays an active role in networking and information sharing. and takes part in national and international research projects in the conservation of design.
Tim Bechthold has initiated and organised both the FUTURE TALKS 009 in October 2009 and the FUTURE TALKS 011 in October 2011.

ISBN 978-3-9813755-1-0
Euro: 29,80
Paperback
255 pages, 28 f/c and 194 b/w photos

Order via: conservation(at)die-neue-sammlung.de or your (online) bookstore

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Imaging Scientist (deadline: 14 Nov 2011)

Imaging Scientist

Grade B: £30,768 to £34,853 per annum
2 year fixed term contract
Location: St. Pancras, London

This is an excellent opportunity to join The British Library and to have an immediate impact on the ways in which our collections are preserved, accessed and interpreted. We are the UK’s national library and our collections, comprising over 150 million items, from 3,000 year old oracle bones to current electronic journals, are consulted by 16,000 people every day both in our reading rooms an online.

You will be part of one of the largest Collection Care departments in the world, working with preventive specialists, conservation scientists and conservation practitioners to bring the collections to life in new and exciting ways.

Based within the Conservation Research Unit, you will use your expertise to develop innovative ways of applying imaging techniques that will increase understanding of our collections and provide new avenues of interpretation and scholarship.  You will also develop a network of contacts and partnerships in the Higher Education Sector and across the industry, building collaborative approaches that encourage and enable leading-edge analysis of archive material in a wide variety of formats

To be successful you will need a relevant degree-level qualification. Exceptional interpersonal skills and considerable experience of using multi-spectral imaging and polynomial texture mapping (or similar) to study books, manuscripts or works of art are essential.

You will also have strong written skills and excellent oral presentation skills, and be able to present your research and projects effectively to a broad range of audiences.

For an informal discussion, please contact Dr Barry Knight on +44 (0) 20 7412 7229
Closing Date:  Midnight, Monday, 14th November 2011

To apply for this role, please visit:  http://www.bl.uk/careers/index.html

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2 Conservation Technicians at NARA (deadline: 18 Nov 2011)

The National Archives and Records Administration Conservation Branch wishes to hire two Conservation Technicians to work on a grant-funded, two-year project to preserve and make available a collection of flood-damaged, largely 19th-20th c Hebraic and Arabic books and documents.

As a member of the project team, the successful candidates will assist with conservation treatments to stabilize and prepare selected books and archival materials for digitization and exhibition, collection housing, packing materials for shipment and other project activities.  This position is a term federal appointment.  Knowledge of Hebrew and/or Arabic is desirable but not mandatory.  The work location is at the modern and well-equipped Archives II building in College Park, MD, a close-in suburb of Washington, DC.

Job and application information is at http://www.usajobs.gov/GetJob/ViewDetails/301817300 under job announcement number JD555155DGA  Conservation Technician. The vacancy announcements closing date:  Friday, November 18.

If you are interested in this position, or seek additional information, contact Mary Lynn Ritzenthaler, Director, Conservation Branch marylynn.ritzenthaler(at)nara.gov 301-837-2906 or Doris Hamburg, Director, Preservation Programs doris.hamburg(at)nara.gov or 301-837-1785.

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Senior Researcher in Conservation Science (dealine: 17 November 2011)

Senior Researcher in Conservation Science
Centre for Art Technological Studies and Conservation (CATS)

Deadline: Thursday 17 November 2011

The Centre for Art Technological Studies and Conservation (CATS) at the National Gallery of Denmark (SMK) wishes to appoint a senior researcher in conservation science. The focus is on artists’ materials and techniques, and on the deterioration of materials. Working with the Keeper of Conservation and Scientific Research, the senior researcher will establish the research and reputation of the CATS and plan for its future maintenance and development.

Responsibilities:
Plans for the development and implementation of a strong conservation science program within CATS with a focus on non-destructive analytical techniques including Raman spectroscopy.
Undertake research into materials and techniques of objects within the visual arts and presenting and publishing the results internationally.
Supervision of fellow research staff.
Selection and maintenance of research and analytical equipment needed to establish and run CATS.
Examination and analysis of works of art using specialized equipment, and the documentation and interpretation of results.
Acting as a representative for the CATS in national and international fora.

Qualifications:
PhD in chemistry/physical sciences with significant experience in analytical chemistry and materials identification, relating to art and artefacts.
Knowledge of art and art history is desirable, as is the ability to disseminate and communicate the subject matter of scientific research to a non-technical audience.
The candidate must have a strong interest in collaborative research since close collaboration with conservation scientists from partner institutions is expected.

Salary and employment conditions:
Working hours are 37 per week. Salary is in agreement between the Ministry of Finance and Danish Association of Masters and PhDs. An academic committee containing external examiners will evaluate the applications cf. applicable rules regarding research staff under the Danish Ministry of Culture.

Application procedure:
You apply for the job via our e-recruitment system on www.smk.dk. On the jobs-page you find practical information in regards to the application procedure. Please upload letter of intent, resumé and names and contact details of three professional references. A scientific curriculum including a record of peer-reviewed publications to be evaluated by the committee must also be forwarded.

Please note that the file/s should be no larger than 20 Megabyte.
The application etc. must be uploaded no later than Thursday 17 November 2011.

When you have uploaded relevant documents via the e-recruitment system, you will within 24 hours receive a confirmation e-mail.

About CATS:
CATS, Centre for Art Technological Studies and Conservation (CATS) was made possible by a substantial donation as a collaborative venture between the National Gallery of Denmark (SMK), The National Museum of Denmark (NM) and the School of Conservation (SoC) at the Royal Danish Academy of Fine Arts. While this initial donation will support the CATS for five years, the partners aim to seek further funding to sustain the Centre permanently.

CATS
National Gallery of Denmark
Sølvgade 48-50
DK-1307 Copenhagen K

Information about CATS can be found on

http://www.smk.dk/en/about-smk/news/artikel/new-centre-for-technical-art-history-will-safeguard-cultural-heritage/

Questions:
If you have any questions in regards to the application procedure, please contact HR-consultant Christian Svanning Mikkelsen, +45 3374 8472; christian.mikkelsen(at)smk.dk

Further information about the position may be obtained from the Keeper of Conservation and Scientific Research, Dr Jørgen Wadum, +45 3374 8450; j.wadum(at)smk.dk

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Forum on Cultural Heritage in a Developing World [20 Oct 2011]

The Forum will bring together leading experts in conservation, development, venture philanthropy, technology, travel, academia and media to explore the challenges and opportunities facing endangered heritage sites in developing countries.

Invited panelists and participants will share their own experiences through an afternoon of structured conversations to explore the nature of the challenge and try to identify innovative solutions in the preservation of heritage in the Americas, Asia, Eastern Europe, the Middle East and Africa.

Critical to this process will be the availability of resources and, given the experience of the participants at this event, we aim to identify innovative ways of ensuring investment by both the public and private sectors in the preservation of key heritage sites, as a contribution to sustainable development.

The Forum on Cultural Heritage in a Developing World aims to explore the challenges facing significant and endangered archaeological and heritage sites in the developing world, and to identify what we might do to protect and preserve them – before they are lost forever.

The Global Heritage Fund believes that the ongoing loss of important archaeological material and built heritage across the developing world represents a significant loss of history of civilization, which not only affects the cultural identity of surrounding communities, but reduces their chances of deriving vital economic benefits from these sites.

The Forum on Cultural Heritage in a Developing World aims to:
1)  Develop awareness among a select group of decision-makers about the threats facing many cultural heritage sites across the developing world
2)   Identify innovative solutions to protect, preserve and manage these sites
3) Seek to multiply funding for heritage preservation in these regions

Experience suggests that the preservation of heritage has the potential to contribute significantly to human development, in both economic and social terms. A recent GHF report – Saving Our Vanishing Heritage – estimates that the 500 major heritage sites in the world’s poorest countries have the potential to generate over $100 billion a year in revenues by 2025. This brings critically needed jobs, investment and foreign exchange to poor and emerging countries of the world.

The Forum on Cultural Heritage in a Developing World continues a global campaign to save the most significant and endangered heritage sites – and integrate the issue of heritage preservation into the agenda of the UN Millennium Development Goals and other international development targets.

For further details please contact:
Global Heritage Fund Europe
c/o Scott Prenn
25 Thurloe Street
London SW7 2LQ
E: emily@scottprenn.com
T: +44 (0)20 7100 6683

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